But he didn't really like it that much. He ended up going to London instead. And that's where he stayed for a very long time. Eliot's most famous works were published near the beginning of his career. They're definitely Modernist in style. When he's starting out, he publishes 'The Love Song of J.
Alfred Prufrock' in It's really kind of a meditative monologue of a dude, presumably J. Alfred Prufrock, though we're never actually told that.
It's filled with these disjointed but striking images about this aging man wandering around a city. This is sort of funny that he publishes this. This is really his first major published work and he was actually really young when he did it. He had just gotten married to his first wife. So he's sort of this young man at the start of his career and he's writing this poem about being old, decrepit and full of regret. So that's a little bit of an interesting kind of difference between his life and his work.
He wrote some non-fiction, some critical essays. One of his most famous ones, published in , is called 'Tradition in the Individual Talent. The claim is that poetry needs to be impersonal. You need to be able to interpret it without knowing anything about the author and his circumstances. So that's what he says in 'Tradition and the Individual Talent.
What he does next is publish 'The Waste Land. And that's in This is really one of the most famous works of Modernism. It seemed to really embody the movement. It's highly referential; it references lots of other works. It's kind of directly about devastation and disorganization and how to regenerate that. That's sort of the preoccupation, with regeneration of something that is a waste land in metaphoric and literal senses. It's also full of real juxtapositions between past and present.
There'll be right next to each other in the same part of the poem. It's got a nice, basic five-part structure with some of Eliot's notes at the end. The poem is so complicated that he had to add his own notes to it so you might have a prayer of understanding what it means. It's not quite as heavily ironic.
It's less grounded in a particular place. And it feels more hurried. It has shorter line lengths. It's got less long, meditative lines, essentially. You've probably heard that. Get access risk-free for 30 days, just create an account.
So in , kind of a significant thing happens for Eliot. He converts to Anglicanism and he becomes a British citizen. I think he was Unitarian before, so he really makes a recommitment to religion in the form of Aglicanism, which is the Church of England.
So his poems after that - first of all, he starts writing plays, also - his poetry and his plays after that really start to be more religiously focused. In , he publishes a poem called 'Ash Wednesday,' which already you can see that's religiously focused right there in the title. And that's really a lot different in style than his past works. It's much less allusive and much more meditative. It's got lots of repetition of phrases in it. And it's also overtly religious in its themes and its preoccupations.
He also writes in a play called 'Murder in the Cathedral. And this is about a martyr, Thomas Beckett, who gets killed in a cathedral. And that's what the play is about. That's what he's doing in the early 30s. From through , he publishes what's considered his final masterpiece, which is 'Four Quartets.
These are actual places that exist. This poem is still pretty religious. And each poem is also structured around a specific place that's in the title. But they're also each about an element.
There are some consistencies with earlier poetry. They're each in five-part structure, which is like 'The Waste Land. For this work and for his cumulative career, he wins the Nobel Prize in Literature in That's sort of a culmination of his career.
Afterward, he's still active in literary circles. In , he's 68 and he gets married to his year-old secretary, whose name is Esme Valerie Fletcher. She's actually still alive. And just an extra fun fact, this isn't something you'd need to know for a test or anything, but he wrote a book called 'Old Possum's Book of Practical Cats' and that actually got turned into the Andrew Lloyd Weber musical 'Cats. If you listen to any of those songs, it's basically T. Eliot poetry in a musical.
So that's pretty cool. That's his lasting legacy. No, his lasting legacy is 'The Waste Land' and all his other stuff. But 'Cats' is sort of an interesting side note. To unlock this lesson you must be a Study. Did you know… We have over college courses that prepare you to earn credit by exam that is accepted by over 1, colleges and universities. You can test out of the first two years of college and save thousands off your degree.
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The videos on Study. Eliot and the Stream of Consciousness.. Answer Questions What are good subjects of poems? My boyfriend broke up with me for a kind of stupid reason? I dont understand the phrase "you reap what you sow" can you help? What are good subjects of poems? A need a descriptive poem about a cornfield? Can you provide a plausible ending to this sentence: Cambridge University Press, Eliot , edited by Allen Tate, Eliot in His Time. Several useful, illuminating essays.
Prentice Hall, Twentieth Century Interpretations, Belknap Press of Harvard University, A Reader's Guide to T. Eliot Contributing Editor: Baskett Classroom Issues and Strategies For the uninitiated reader, Eliot's poems present a number of difficulties: Major Themes, Historical Perspectives, and Personal Issues The symbolism of the waste land, garden, water, city, stairs, etc.
Significant Form, Style, or Artistic Conventions Eliot's relation to romanticism, his significance in the development with Ezra Pound of modernism, his role as an expatriate effecting a "reconciliation with America" in "The Dry Salvages" are all important considerations. Original Audience When Eliot's works first appeared, they seemed outrageously impenetrable to many, although he quickly became recognized as the "Pope of Russell Square.
What are the similarities and differences in Eliot's protagonists? What is the continuing fundamental theme in his work? Consider the thrust of a particular poem on literal, allegorical, moral, and anagogic levels.
What is Eliot's attitude toward women? What are the techniques by which Eliot's poems achieve intensity?
Eliot's style is modernist, which means things are approached from a somewhat fractured perspective - as in Nude Descending A Staircase by Duchamp. This is how the poet was able to compare an evening sky to an "etherized" patient dozing in an operating room via this fracture of consciousness.
So then in , Eliot publishes a little poem called 'The Hollow Men,' a sort of follow-up to 'The Waste Land.' It's still heavily allusive, but you can already see a beginning of change in his style.
Eliot was especially drawn to Laforgue, whose dramatic monologues contained a mixture of highly sophisticated irony and an original, difficult style. “The form in which I began to write,” Eliot later commented, “was directly drawn from the study of Laforgue. Eliot created his writing style based on his own personal experiences ;therefore his poems all show incredible skill. Eliot's writing technique differs from many other poets of his time such as William Butler Yeats whose mood was not expressed as often in his works.
The writing style of modernism was unprecedented and reflective of the socio-political events of the period. T.S Eliot was a pre-eminent figure in modernism publishing many important works of prose and poetry in his lifetime. T.S Eliot is considered as one of the most important modernist poets. The content of his poem as well as his poetic style give elements of the.